This paper explores how Autism Spectrum Disorder’s Theory of Mind Hypothesis supports the concept of massive modularity in cognitive science. By analyzing Simon Baron-Cohen’s research on modularity and mindreading, it argues that domain-specific cognitive mechanisms play a critical role in human cognition and social interaction, providing evidence for evolutionary psychology's modular approach to understanding the human mind.
This paper examines the role of conversational repair in supporting the theory of cognitive modularity. Through an analysis of communication processes and repair mechanisms, it explores how linguistic interactions reveal universal cognitive structures, providing evidence for the interconnectedness of language, cognition, and social interaction.
This paper explores key concepts in visual anthropology, including the role of documentary photography, the intersection of language and imagery, and the sociocultural implications of iconic visuals. Through analysis of historical and contemporary examples, it examines how visual media shape our understanding of identity, culture, and power dynamics.
This paper examines the institutional and media-driven perpetuation of the cis-normative sex and gender binary, exploring its impact on marginalized communities, particularly transgender individuals. It discusses historical and contemporary media representations, the role of counterpublics in social media, and the influence of neoliberal ideologies on gender self-determination, advocating for a more inclusive and equitable understanding of gender.
Cappuccetto Rosso: Una Storia di Guerre Stellari" reimagines the classic fairy tale within the Star Wars universe. The protagonist, Vlavio, embarks on a perilous mission to deliver secret plans to his grandfather while evading Imperial forces. With the help of the Force, Vlavio navigates dangers, outsmarts stormtroopers, and confronts moral dilemmas, ultimately revealing his dark allegiance to the Sith.
Presented in its original Italian.
This paper explores the inseparable connection between alien depictions in science fiction and human idealism. By analyzing works such as Damon Knight’s To Serve Man, Octavia Butler’s Bloodchild, and Ursula K. Le Guin’s Vaster Than Empires and More Slow, the paper argues that alien portrayals are inherently anthropocentric, reflecting human cultural, moral, and social ideals. It examines how authors use alien archetypes as narrative tools to mirror humanity’s struggles, emotions, and ideologies, ultimately demonstrating that even the most imaginative alien constructs remain deeply tied to human perspectives and experiences.